The type of pastel used
Dry pastel, pastel pencil or oil pastel do not always need the same surface.
To choose your Clairefontaine pastel paper wisely, these criteria guide the decision:
Dry pastel, pastel pencil or oil pastel do not always need the same surface.
A fine grain allows precise work, while a more pronounced grain accents textures.
An adherent surface holds pigments better and allows more layers to be built up.
For rich layering, prefer a paper designed to avoid saturation.
Fine detail, flat areas, blending or energetic marks all influence texture choice.
A white ground adds luminosity, while a tinted paper creates a base tone and helps with contrasts.
A thicker paper stands up better to handling, erasing and occasional wet techniques.
Some papers allow wet grounds or diluted pigments without damaging the surface.
Important for correcting a drawing without damaging the grain.
Prefer acid-free paper that resists ageing.
Pad, sheet or large format, depending on whether you work in the studio, outdoors or on the go.
Soft and blended, precise, textured or very intense.
Explore Clairefontaine pastel papers: grippy surfaces, refined textures and formats suited to every artistic gesture.
Offers an ultra-adherent surface that holds dry pastel without early fixing. Ideal for layering and fine detail.
Features an abrasive grain that strongly grips dry pastel. Ideal for multi-layering, blending and intensive work.
Combines a classic fine grain with rich background tints to enhance sketches and pastel portraits.
Pergamine and Mousseline interleaving papers: translucent or silky-touch, they protect pastel artworks and also suit studies and creative tracing.
Discover our product catalogue and browse our products to find the one that best matches your needs.
Published: 20/08/2026
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