The paper quality standard was launched in 1951 by Charles Nusse with his Clairefontaine notebook and Vélin Velouté 90 g/m² paper. It is now a reference standard in the stationery world. This grammage — linked to opacity, strength, surface regularity, whiteness, the ability to take ink without blotting or show-through, and the comfortable glide of a pen — remains to this day the best paper for school and everyday use.
Clairefontaine, over 168 years of paper
A story of paper, heritage and innovation born in the heart of the Meurthe valley.
Where it all began
The story of Clairefontaine
The story of Clairefontaine begins in 1858, when Jean-Baptiste Bichelberger founded the Papeteries de Clairefontaine in Étival-Clairefontaine, in the Vosges. The company then dedicated itself to making printing and writing papers. Although the region has a papermaking tradition dating back to the 16th century, 1858 is the official founding date of the Clairefontaine house.
From 1890 onwards, the activity was no longer limited to papermaking: the company also began producing stationery articles, notably notebooks and various writing materials. Clairefontaine thus gradually mastered the entire production chain, from manufacturing paper to transforming it into finished products.
In 1950, Charles Nusse took over the Papeteries de Clairefontaine. He wanted to offer schoolchildren better-quality notebooks, with soft paper that was pleasant to write on, as well as stronger and more colourful covers than those commonly used at the time. Clairefontaine notebooks gradually became references in French school stationery.
In 1997, the acquisition of Rhodia by the Clairefontaine group gave birth to Clairefontaine Rhodia . The company designs, manufactures and markets school, office, fine arts and creative stationery through different brands, including Clairefontaine and Rhodia.
Craftsmanship in motion
Did you know?
Clairefontaine also launched the laminated cover, allowing children to shelter from the rain with their notebook without damaging the sheets inside.
Clairefontaine was one of the first three brands to advertise, following an idea from Charles Nusse, previously head of the Papeteries de Clairefontaine.
Charles Nusse designed the Clairefontaine notebook on the principle that a well-equipped child will want to do their best to succeed in the school year.
Since then, we have perpetuated this craftsmanship and the brand's original ambitions, which we extend into fine arts and creative hobbies under the Clairefontaine Rhodia group and its 16 brands.
Fibres selected with care
Pulp & Forests
Papeteries de Clairefontaine does not produce its own paper pulp, but sources it on the world market. This diversity creates an optimal composition: long fibres from Scandinavian softwoods provide strength, while short fibres from Brazilian eucalyptus forests provide opacity and printability. Clairefontaine uses only pulp sourced from forests certified for their environmental management. Its Everbal subsidiary makes exclusively recycled paper, without de-inking or bleaching.
of our paper pulp comes from certified forests
of recovered paper used to produce 100 kg of recycled paper
With constantly modernised machines, Clairefontaine supplies its customers with 165,000 tonnes of paper every year: premium uncoated, woodfree printing and writing papers for office use, offset printing and the manufacture of stationery products.
Sustainable commitments
Our certifications
PEFC
(Program for the Endorsement of Forest Certification). This independent non-governmental organisation has developed a set of criteria to promote sustainable forest management. National forest certifications that meet these criteria may claim recognition by PEFC.
FSC®
(Forest Stewardship Council®). An independent non-governmental organisation that has developed a certification system aimed at environmentally, socially and economically appropriate forest management.
The mark of responsible forest management
APUR
(Association of Producers and Users of Recycled Paper and Board). This association created a brand that it manages and controls. It is a registered trademark with a usage charter: the logo on products clearly indicates the proportion of recovered cellulose fibres used and includes an approval number for each paper or board range, guaranteeing the authenticity of the information given to consumers.
Blue Angel
A label defined by the German Federal Environment Agency. The Blue Angel is awarded to products with a low environmental impact. The paper is checked in detail for composition, manufacturing method and converting. Only papers made from 100% post-consumer waste paper are certified.
The group
Organisation chart
The structure of the Exacompta Clairefontaine Group — with Clairefontaine Rhodia at the heart of our stationery, fine arts and creative hobbies businesses.
-
Papeterie de Mandeure MANDEURE (25)
-
Everbal EVERGNICOURT (02)
-
Schut Papier HEELSUM (Pays-Bas)
-
CFR Île Napoléon OTTMARSHEIM (68)
-
Madly GENAS (69)
-
Brause Produktion ISERLOHN (Allemagne)
-
The Clay and Paint Factory NANDRIN (Belgique)
-
J. Blockx Fils NANDRIN (Belgique)
-
Publiday Multimedia CASABLANCA (Maroc)
-
Eurowrap AB STOCKHOLM (Suède)
-
Eurowrap A/S RINGSTED (Danemark)
-
Eurowrap Ltd SKELMERSDALE (Angleterre)
-
Rolfax BRETEUIL (60)
-
Manuclass SEGRÉ (49)
-
Cogir CHÂTEAU-RENAULT (37)
-
Cartorel ECHIRÉ (79)
-
Claircell BROU (28)
-
Registres Le Dauphin VOIRON (38)
-
Rainex HOUDAN (78)
-
Claircell Ingénierie BROU (28)
-
Papeteries du Coutal TERRASSON-LAVILLEDIEU (24)
-
Ernst Stadelman EFERDING (Autriche)
-
Exclair UK KING'S LYNN (Angleterre)
-
Biella Schweiz BRÜGG (Suisse)
-
Falken PEITZ (Allemagne)
-
Delmet Prod BUCAREST (Roumanie)
-
Éditions Quo Vadis CARQUEFOU (44)
-
Lavigne ISSY-LES-MOULINEAUX (92)
-
Invaders corp PARIS (75)
-
Fizzer SAINT-ÉGRÈVE (38)
-
Digital Valley Portugal LISBONNE (Portugal)
Our story in pictures
Papers full of emotion since 1858
Clairefontaine Rhodia — timeline
